![]() ![]() But the book “explains” the situation often when it would be more exciting to simply lay the scene and let it happen. The book is also full of exposition, and there were many times that I wanted Goodwin to use a subtler hand and “show” us what was happening rather than “telling.” This isn’t a problem exclusive to this book - lots of historical fiction has trouble balancing the fascinating historical source material and with the plotting and characterization of a novel. This makes a lot of sense to me, because at times, the book feels a lot like a novelization, broken up cinematically into scenes and moments rather than following a more novelistic structure. Goodwin is the screenwriter for the Victoria series, and she notes in the book’s acknowledgments that she wrote the novel as she was writing the screenplay for the series. I’ve really enjoyed Goodwin’s novels in the past, so I had high hopes for this one - but, unfortunately, it didn’t quite live up to my expectations. ![]() ![]() ![]() Ahead of this Sunday’s upcoming premiere of Victoria on Masterpiece here in the United States, I ordered a copy of Daisy Goodwin’s companion novel. ![]()
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